Synopsis
Leonardo Sciascia was an outstanding and controversial presence in twentieth-century Italian literary and intellectual life. Writing about his native Sicily and its culture of secrecy and suspicion, Sciascia matched sympathy with skepticism, unflinching intelligence with a streetfighter's intransigent poise. Sciascia was particularly admired for his short stories, and The Wine-Dark Sea offers what he considered his best work in the genre: thirteen spare and trenchant miniatures that range in subject from village idiots to mafia dons, marital spats to American dreams. Here, in unforgettable form, Sciascia examines the contradictions-sometimes comic, sometimes deadly, and sometimes both-of Sicily's turbulent history and day-to-day life.
Review
A novelist, polemicist, occasional politician, and perennial nominee for the Nobel Prize, Leonardo Sciascia died in 1989. He left behind a formidable array of books, all of which revolve around the hallucinatory realities of Sicilian life. But the stories collected in The Wine-Dark Sea may be the best introduction to his work. They offer a kind of capsule history of Sicily, ranging through several hundred years and engaging the country's events from their exhilarating and terrible underside. A good comparison might be the naif's-eye view of Waterloo that Stendhal creates in The Charterhouse of Parma. (Sciascia recalls Stendhal in other ways, too; he shares the same adamant clarity, the same bone-dry wit, which may explain why he's always been a hard sell in the United States.)
These tales all have a certain riddling quality, whether they're recounting a nugget of Sicilian history or staging one of Sciascia's many comedies of ironic disillusionment. Included among the latter are "The Long Crossing," in which an assortment of Sicilian immigrants are disbursed of their life savings and put ashore not in the New World but back on their own island. There's also the superb title story, about the bottomless chasm separating Sicilians and outsiders, bridged only temporarily by a group of strangers traveling from Rome to Agrigento. "Philology," the closest thing to a classic Pirandellian exercise, lets us eavesdrop on two mafiosi cramming for an upcoming session with a Commission of Enquiry. The subject: how to answer the question "What is the Mafia?" They consult a battery of dictionaries, arguing about the merits of various definitions and etymologies. At the end, the superior of the two adds his own footnote to the scholarship:
<blockquote> And we know that the thing itself, the association, was already in existence by the fact (this is my addition) that the mafiosi imprisoned in the Vicaria issued a directive in 1860 addressed to their friends outside, advising them to behave well and not commit such crimes as theft, rape and murder that the Bourbons could use ... against the Garibaldi revolution. </blockquote> This enlightened thug concludes his history lesson with a general point: "Culture, my friend, is a wonderful thing." So too is fiction, at least in Sciascia's hands. He offers little in the way of certainty, but his questions, posed with deadly accuracy, are worth the answers of a dozen other authors. --James MarcusLeonardo Sciascia (1921-1989) was born in Racamulto, Sicily. Starting in the 1950s, he established himself in Italy as a novelist and essayist, and also as a controversial commentator on political affairs. Among his many other books are Salt on the Wound, a biography of a Sicilian town, The Council of Egypt, an historical novel, and Todo Modo, a book in a genre that Sciascia could be said to have invented: the metaphysical mystery.
Albert Mobilio is a poet and critic. His books of poetry include Bendable Siege and The Geographics, and his criticism has appeared in Harper's, The New York Times Book Review, and The Village Voice. In 1999 he won the National Book Critics Circle award for excellence in reviewing. He teaches at The New School.
The Wine-Dark Sea
Leonardo Sciascia was an outstanding and controversial presence in twentieth-century Italian literary and intellectual life. Writing about his native Sicily and its culture of secrecy and suspicion, Sciascia matched sympathy with skepticism, unflinching intelligence with a streetfighter's intransigent poise. Sciascia was particularly admired for his short stories, and The Wine-Dark Sea offers what he considered his best work in the genre: thirteen spare and trenchant miniatures that range in subject from village idiots to mafia dons, marital spats to American dreams. Here, in unforgettable form, Sciascia examines the contradictions—sometimes comic, sometimes deadly, and sometimes both—of Sicily's turbulent history and day-to-day life.
Leonardo Sciascia was an outstanding and controversial presence in twentieth-century Italian literary and intellectual life."
To Each His Own
This letter is your death sentence. To avenge what you have done you will die. But what has Manno the pharmacist done? Nothing that he can think of. The next day he and his hunting companion are both dead.The police investigation is inconclusive. However, a modest high school teacher with a literary bent has noticed a clue that, he believes, will allow him to trace the killer. Patiently, methodically, he begins to untangle a web of erotic intrigue and political calculation. But the results of his amateur sleuthing are unexpected—and tragic. To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence.
To Each His Own is one of the masterworks of the great Sicilian novelist Leonardo Sciascia—a gripping and unconventional detective story that is also an anatomy of a society founded on secrets, lies, collusion, and violence."
The Moro Affair
On March 16, 1978 Aldo Moro, a former Prime Minister of Italy, was ambushed in Rome. Within three minutes the gang killed his escort and bundled Moro into one of three getaway cars. An hour later the terrorist group the Red Brigades announced that Moro was in their hands; on March 18 they said he would be tried in a "people's court of justice." Seven weeks later Moro's body was discovered in the trunk of a car parked in the crowded center of Rome. The Moro Affair presents a chilling picture of how a secretive government and a ruthless terrorist faction help to keep each other in business. Also included in this book is "The Mystery of Majorana," Sciascia's fascinating investigation of the disappearance of a major Italian physicist during Mussolini's regime.
Also included in this book is "The Mystery of Majorana," Sciascia's fascinating investigation of the disappearance of a major Italian physicist during Mussolini's regime."
The Day of the Owl
A man is shot dead as he runs to catch the bus in the piazza of a small Sicilian town. Captain Bellodi, the detective on the case, is new to his job and determined to prove himself. Bellodi suspects the Mafia, and his suspicions grow when he finds himself up against an apparently unbreachable wall of silence. A surprise turn puts him on the track of a series of nasty crimes. But all the while Bellodi's investigation is being carefully monitored by a host of observers, near and far. They share a single concern: to keep the truth from coming out. This short, beautifully paced novel is a mesmerizing description of the Mafia at work.
They share a single concern: to keep the truth from coming out. This short, beautifully paced novel is a mesmerizing description of the Mafia at work."
Equal Danger
District Attorney Varga is shot dead. Then Judge Sanza is killed. Then Judge Azar. Are these random murders, or part of a conspiracy? Inspector Rogas thinks he might know, but as soon as he makes progress he is transferred and encouraged to pin the crimes on the Left. And yet how committed are the cynical, fashionable, comfortable revolutionaries to revolution—or anything? Who is doing what to whom? Equal Danger is set in an imaginary country, one that seems all too real. It is the most extreme—and gripping—depiction of the politics of paranoia by Leonardo Sciascia, master of the metaphysical detective novel.
Equal Danger is set in an imaginary country, one that seems all too real. It is the most extreme—and gripping—depiction of the politics of paranoia by Leonardo Sciascia, master of the metaphysical detective novel."
Open Doors and Three Novellas
From one of modern Italy's greatest writers come four flawless novellas that combine history and fiction while mapping the treacherous relations between individuals and the state. Whether set amid the paranoia of the fascist past or the criminal and political labyrinths of present-day Italy, these Kafkaesque novellas are thrillers of moral gravity, beautifully written and relentlessly engrossing.
Whether set amid the paranoia of the fascist past or the criminal and political labyrinths of present-day Italy, the novellas in Open Doors are thrillers of Kafkaesque moral gravity, beautifully written and relentlessly engrossing. ..."
Contemporary World Fiction: A Guide to Literature in Translation
In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.
The New York Times Book Review , 21 May 2000, p. 21. Steinberg, Sybil S. Publishers Weekly 247 (1 May 2000) 50. Another translated book written by Gianni Riotta: The Lights of Alborada Leonardo Sciascia . Equal Danger."
The Penguin Book of Italian Short Stories
'Rich. . . eclectic. . . a feast' Telegraph This landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century. Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events. This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.
Riverdale-onHudson, New York : Sheep Meadow Press, 1993 Sciascia , Leonardo , The Wine - Dark Sea , trans. Avril Bardoni, introduction by Albert Mobilio. New York : The New York Review of Books , 2000 Svevo, Italo, Short Sentimental Journey and ..."
Italian Literature since 1900 in English Translation 1929-2016
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
Penelope Fitzgerald, writing in the New York Times Book Review , noted: “This is a novel by an artist, writing about ... Leonardo Sciascia , “Mafia Western” (“Western di cose nostre”) from The Wine - dark Sea (Il mare colore del vino), ..."
Nyrb Classics 10th Anniversary Complete Collection
The NYRB Classics series is designedly and determinedly exploratory and eclectic, a mix of fiction and non-fiction from different eras and times and of various sorts. The series includes nineteenth century novels and experimental novels, reportage and belles lettres, tell-all memoirs and learned studies, established classics and cult favorites, literature high, low, unsuspected, and unheard of. NYRB Classics are, to a large degree, discoveries, the kind of books that people typically run into outside of the classroom and then remember for life. Inevitably literature in translation constitutes a major part of the NYRB Classics series, simply because so much great literature has been left untranslated into English, or translated poorly, or deserves to be translated again, much as any outstanding book asks to be read again. The series started in 1999 with the publication of Richard Hughes's A High Wind in Jamaica. NYRB Classics includes new translations of canonical figures such as Euripides, Dante, Balzac, and Chekhov; fiction by modern and contemporary masters such as Vasily Grossman, Mavis Gallant, Daphne du Maurier, Stefan Zweig, and Upamanyu Chatterjee; tales of crime and punishment by George Simenon and Kenneth Fearing; masterpieces of narrative history and literary criticism, poetry, travel writing, biography, cookbooks, and memoirs from such writers as Norman Mailer, Lionel Trilling, and Patrick Leigh Fermor; and unclassifiable classics on the order of J. R. Ackerley's My Dog Tulip and Robert Burton's The Anatomy of Melancholy. Fall 2009 sees the publication of the series' first graphic novel, Poem Strip by Dino Buzzati, translated into English for the first time. Published in handsome uniform trade paperback editions, almost all the 250 NYRB Classics included in this collection feature an introduction by an outstanding writer, scholar, or critic of our day. Taken as a whole, NYRB Classics may be considered a series of books of unrivaled variety and quality for discerning and adventurous readers. This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog Tulip by J.R. Ackerley My Father and Myself by J.R. Ackerley The Other House by Henry James Peasants and Other Stories by Anton Chekhov Prison Memoirs of an Anarchist by Alexander Berkman A Handbook on Hanging by Charles Duff Hindoo Holiday by J.R. Ackerley Memoirs of My Nervous Illness by Daniel Paul Schreber The Wooden Shepherdess by Richard Hughes The Stories of J.F. Powers by J.F. Powers Memoirs of Lorenzo Da Ponte by Lorenzo Da Ponte Morte D'Urban by J.F. Powers Records of Shelley, Byron, and the Author by Edward John Trelawny Wheat that Springeth Green by J.F. Powers Classic Crimes by William Roughead The Lore and Language of Schoolchildren by Iona Opie The Unknown Masterpiece by Honore de Balzac Virgin Soil by Ivan Turgenev The Glass Bees by Ernst Junger The Pure and the Impure by Colette The Waste Books by Georg Christoph Lichtenberg A Month in the Country by J.L. Carr Seven Men by Max Beerbohm To Each His Own by Leonardo Sciascia The Wine-Dark Sea by Leonardo Sciascia Alfred and Guinevere by James Schuyler The Pilgrim Hawk by Glenway Wescott The Fox in the Attic by Richard Hughes The Haunted Looking Glass by Edward Gorey A House and Its Head by Ivy Compton-Burnett Manservant and Maidservant by Ivy Compton-Burnett Hadrian the Seventh by Fr. Rolfe Madame de Pompadour by Nancy Mitford The Quest for Corvo by A.J.A. Symons The Root and the Flower by L.H. Myers The Anatomy of Melancholy by Robert Burton Exploits and Adventures of Brigadier Gerard by Sir Arthur Conan Doyle Letty Fox by Christina Stead The Golovlyov Family by Shchedrin The Radiance of the King by Camara Laye Eustace and Hilda by L.P. Hartley Seduction and Betrayal by Elizabeth Hardwick Sleepless Nights by Elizabeth Hardwick A Way of Life, Like Any Other by Darcy O'Brien As a Man Grows Older by Italo Svevo Autobiography of an Unknown Indian by Nirad C. Chaudhuri Renoir, My Father by Jean Renoir An African in Greenland by Tete-Michel Kpomassie Letters: Summer 1926 by Boris Pasternak Mr. Fortune' s Maggot by Sylvia Townsend Warner Selected Works of Cesare Pavese by Cesare Pavese The Life of Henry Brulard by Stendhal On the Yard by Malcolm Braly Selected Stories of Robert Walser by Robert Walser The Adventures and Misadventures of Maqroll by Alvaro Mutis Mawrdew Czgowchwz by James McCourt The Go-Between by L.P. Hartley The Outcry by Henry James A Book of Mediterranean Food by Elizabeth David Letters from Russia by Astolphe De Custine Miserable Miracle by Henri Michaux Riders in the Chariot by Patrick White Summer Cooking by Elizabeth David Corrigan by Caroline Blackwood Great Granny Webster by Caroline Blackwood Mary Olivier by May Sinclair Randall Jarrell's Book of Stories by Randall Jarrell The New Life by Dant
This collection includes one each of the following titles: A High Wind in Jamaica by Richard Hughes Jakob von Gunten by Robert Walser The Living Thoughts of Kierkegaard by Soren Kierkegaard Lolly Willowes by Sylvia Townsend Warner My Dog ..."
Valentino and Sagittarius
Two novellas about family life and fraudsters by one of the twentieth century's best Italian novelists. Valentino and Sagittarius are two of Natalia Ginzburg’s most celebrated works: tales of love, hope, and delusion that are full of her characteristic mordant humor, keen psychological insight, and unflinching moral realism. Valentino is the spoiled child of doting parents, who have no doubt that their handsome young son will prove “a man of consequence.” Nothing that Valentino does—his nights out on the town, his failed or incomplete classes—suggests there is any ground for that confidence, and Valentino’s sisters view their parents and brother with a mixture of bitterness, stoicism, and bemusement. Everything becomes that much more confused when, out of the blue, Valentino finds an enterprising, wealthy, and strikingly ugly wife, who undertakes to support not just him but the whole family. Sagittarius is another story of misplaced confidence recounted by a wary daughter, whose mother, a grass widow with time on her hands, moves to the suburbs, eager to find new friends. Brassy, bossy, and perpetually dissatisfied, especially when it comes to her children, she strikes up a friendship with the mysterious Scilla, and soon the two women are planning to open an art gallery. But knowing better than everyone, it turns out, is not that different from knowing nothing at all.
Lessico famigliare (Family Lexicon), which was published as an NYRB Classic in a new translation by Jenny McPhee in ... of contemporary Italian literature into English for Sciascia's The Wine - Dark Sea (available as an NYRB Classic )."
The New York Stories of Edith Wharton
A New York Review Books Original Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own. The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.
LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR SEGALEN Rene Leys VICTOR SERGE The Case of Comrade ..."
Rock, Paper, Scissors
The first English-language collection of a contemporary Russian master of the short story. Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.
OTHER NEW YORK REVIEW CLASSICS For a complete list of titles, visit www. nyrb .com or write to: Catalog Requests, NYRB , ... Works of Cesare Pavese DAVID PLANTE Difficult Women: A Memoir of Three GILLIAN ROSE Love's Work LEONARDO scIASCIA ."
The New York Stories of Henry James
Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
Victorine
Victorine is thirteen, and she can’t get the unwanted surprise of her newly sexual body, in all its polymorphous and perverse insistence, out of her mind: it is a trap lying in wait for her at every turn (and nowhere, for some reason, more than in church). Meanwhile, Victorine’s older brother Costello is struggling to hold his own against the overbearing, mean-spirited, utterly ghastly Hector L’Hommedieu, a paterfamilias who collects and discards mistresses with scheming abandon even as Allison, his wife, drifts through life in a narcotic daze. And Maude Hutchins’s Victorine? It’s a sly, shocking, one-of-a-kind novel that explores sex and society with wayward and unabashedly weird inspiration, a drive-by snapshot of the great abject American family in its suburban haunts by a literary maverick whose work looks forward to—and sometimes outstrips—David Lynch’s Blue Velvet and the contemporary paintings of Lisa Yuskavage and John Currin.
GEORG CHRISTOPH LICHTENBERG The Waste Books ROSE MACAULAY The Towers of Trebizond NORMAN MAILER Miami and the Siege ... Equal Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea ..."
Rogue Male
1930-something: a professional hunter is passing through an unnamed Central European country that is in the thrall of a vicious dictator. The hunter wonders whether he can penetrate undetected into the dictator’s private compound. He does. He has the potential target in his sites and is wondering whether to pull the trigger when security catches up with him. Imprisoned, tortured, doomed to a painful death, the hunter makes an extraordinary and harrowing escape, fleeing through enemy territory to the safety of his native England. But that safety is delusive: his pursuers will not be diverted from their revenge by national borders; the British government cannot protect him without seeming to endorse his deed. The hunter must flee society, and he goes literaly underground, like a fox to its earth. The hunter has become the hunted. Geoffrey Household’s Rogue Male is a classic thriller and a triumph of suspense. Described by Household as a “bastard offspring of Stevenson and Conrad,” the book is no less remarkable as an exploration of the lure of violence, the psychology of survivalism, and the call of the wild.
LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR SEGALEN Rene Leys VICTOR SERGE The Case of Comrade ..."
The Goshawk
The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—”the bird reverted to a feral state”—seized his imagination, and, White later wrote, “A longing came to my mind that I should be able to do this myself. The word ‘feral’ has a kind of magical potency which allied itself to two other words, ‘ferocious’ and ‘free.’” Immediately, White wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and Gos was free, and White had no idea how to break him in beyond the ancient (and, though he did not know it, long superseded) practice of depriving him of sleep, which meant that he, White, also went without rest. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love. White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR SEGALEN Rene Leys VICTOR SERGE The Case of Comrade."
Butcher's Crossing
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.
The Stuffed Owl: An Anthology of Bad Verse GEORG CHRISTOPH Lichtenberg The Waste Books H.P. LovECRAFT AND others The Colour ... The Wine - Dark Sea victor SEGALEN René Leys victor serGE The Case of Comrade Tulayev SHCHEDRIN The Golovlyov ..."
Memoirs of Montparnasse
Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.
LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR SEGALEN René Leys VICTOR SERGE The Case of Comrade ..."
Proper Doctoring
“People come to us for help. They come for health and strength.” With these simple words David Mendel begins Proper Doctoring, a book about what it means (and takes) to be a good doctor, and for that reason very much a book for patients as well as doctors—which is to say a book for everyone. In crisp, clear prose, he introduces readers to the craft of medicine and shows how to practice it. Discussing matters ranging from the most basic—how doctors should dress and how they should speak to patients—to the taking of medical histories, the etiquette of examinations, and the difficulties of diagnosis, Mendel moves on to consider how the doctor can best serve patients who suffer from prolonged illness or face death. Throughout he keeps in sight the fundamental moral fact that the relationship between doctor and patient is a human one before it is a professional one. As he writes with characteristic concision, “The trained and experienced doctor puts himself, or his nearest and dearest, in the patient’s position, and asks himself what he would do if he were advising himself or his family. No other advice is acceptable; no other is justifiable.” Proper Doctoring is a book that is admirably direct, as well as wise, witty, deeply humane, and, frankly, indispensable.
A Book for Patients and their Doctors David Mendel ... LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA TT'IC MOI'O Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
Envy
A New York Review Books Original One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha’s novella Envy brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn’t mean he’s grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha’s anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart. Marian Schwartz’s new English translation of Envy brilliantly captures the energy of Olesha’s masterpiece.
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
Contempt
Contempt is a brilliant and unsettling work by one of the revolutionary masters of modern European literature. All the qualities for which Alberto Moravia is justly famous—his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard’s no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
The Gallery
"The first book of real magnitude to come out of the last war." —John Dos Passos John Horne Burns brought The Gallery back from World War II, and on publication in 1947 it became a critically-acclaimed bestseller. However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans. Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—The Gallery poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower.
WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National Character GERSHOM SCHOLEM ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine Dark Sea VICTOR ..."
The Year of the French
In 1798, Irish patriots, committed to freeing their country from England, landed with a company of French troops in County Mayo, in westernmost Ireland. They were supposed to be an advance guard, followed by other French ships with the leader of the rebellion, Wolfe Tone. Briefly they triumphed, raising hopes among the impoverished local peasantry and gathering a group of supporters. But before long the insurgency collapsed in the face of a brutal English counterattack. Very few books succeed in registering the sudden terrible impact of historical events; Thomas Flanagan’s is one. Subtly conceived, masterfully paced, with a wide and memorable cast of characters, The Year of the French brings to life peasants and landlords, Protestants and Catholics, along with old and abiding questions of secular and religious commitments, empire, occupation, and rebellion. It is quite simply a great historical novel. Named the most distinguished work of fiction in 1979 by the National Book Critics’ Circle.
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
The Lord Chandos Letter
Hugo von Hoffmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss’s greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here—fin-de-siècle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English—propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman; a cavalry sergeant meets his double on the battlefield; an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny. The most influential of all of Hofmannsthal’s writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The “Letter” not only symbolized Hofmannsthal’s own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century.
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
Boredom
The novels that the great Italian writer Alberto Moravia wrote in the years following World War II represent an extraordinary survey of the range of human behavior in a fragmented modern society. Boredom, the story of a failed artist and pampered son of a rich family who becomes dangerously attached to a young model, examines the complex relations between money, sex, and imperiled masculinity. This powerful and disturbing study in the pathology of modern life is one of the masterworks of a writer who, as Anthony Burgess once remarked, was “always trying to get to the bottom of the human imbroglio.”
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes CONSTANCE ROURKE American Humor: A Study of the National ... Danger LEONARDO SCIASCIA The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR ..."
Pinocchio
Though one of the best-known books in the world, Pinocchioat the same time remains unknown—linked in many minds to the Walt Disney movie that bears little relation to Carlo Collodi’s splendid original. That story is of course about a puppet who, after many trials, succeeds in becoming a “real boy.” Yet it is hardly a sentimental or morally improving tale. To the contrary, Pinocchio is one of the great subversives of the written page, a madcap genius hurtled along at the pleasure and mercy of his desires, a renegade who in many ways resembles his near contemporary Huck Finn. Pinocchio the novel, no less than Pinocchio the character, is one of the great inventions of modern literature. A sublime anomaly, the book merges the traditions of the picaresque, of street theater, and of folk and fairy tales into a work that is at once adventure, satire, and a powerful enchantment that anticipates surrealism and magical realism. Thronged with memorable characters and composed with the fluid but inevitable logic of a dream, Pinocchio is an endlessly fascinating work that is essential equipment for life.
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Thus Were Their Faces
An NYRB Classics Original Thus Were Their Faces offers a comprehensive selection of the short fiction of Silvina Ocampo, undoubtedly one of the twentieth century’s great masters of the story and the novella. Here are tales of doubles and impostors, angels and demons, a marble statue of a winged horse that speaks, a beautiful seer who writes the autobiography of her own death, a lapdog who records the dreams of an old woman, a suicidal romance, and much else that is incredible, mad, sublime, and delicious. Italo Calvino has written that no other writer “better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Jorge Luis Borges flatly declared, “Silvina Ocampo is one of our best writers. Her stories have no equal in our literature.” Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s most individual and finest.
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Masscult and Midcult
A New York Review Books Original An uncompromising contrarian, a passionate polemicist, a man of quick wit and wide learning, an anarchist, a pacifist, and a virtuoso of the slashing phrase, Dwight Macdonald was an indefatigable and indomitable critic of America’s susceptibility to well-meaning cultural fakery: all those estimable, eminent, prizewinning works of art that are said to be good and good for you and are not. He dubbed this phenomenon “Midcult” and he attacked it not only on aesthetic but on political grounds. Midcult rendered people complacent and compliant, secure in their common stupidity but neither happy nor free. This new selection of Macdonald’s finest essays, assembled by John Summers, the editor of The Baffler, reintroduces a remarkable American critic and writer. In the era of smart, sexy, and everything indie, Macdonald remains as pertinent and challenging as ever.
LEONARDO SCIASCIA The Day of the Owl LEONARDO SCIASCIA Equal Danger LEONARDO SCIASCIA The MON AITHII LEONARDO SCIASCIA To Each His Own LEONARDO SCIASCIA The Wine - Dark Sea VICTOR SEGALEN René Leys PHILIPE-PAUL DE SEGUR Defeat: Napoleon's ..."
Everything Flows
A New York Review Books Original Everything Flows is Vasily Grossman’s final testament, written after the Soviet authorities suppressed his masterpiece, Life and Fate. The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps. Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable. And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno.
ROLFE Hadrian the Seventh WILLIAM ROUGHEAD Classic Crimes constancE ROURKE American Humor: A Study of the National ... The Moro Affair LEONARDO SCIASCIA To Each His Own LEONARDO sciascIA The Wine - Dark Sea victor SEGALEN René Leys ..."
The True History of the First Mrs. Meredith and Other Lesser Lives
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
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The True Deceiver
Deception—the lies we tell ourselves and the lies we tell others—is the subject of this, Tove Jansson’s most unnerving and unpredictable novel. Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.
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The Bridge of Beyond
This is an intoxicating tale of love and wonder, mothers and daughters, spiritual values and the grim legacy of slavery on the French Antillean island of Guadeloupe. Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Time flows unevenly during the long hot blue days as the madness of the island swirls around the villages, and Telumee, raised in the shelter of wide skirts, must learn how to navigate the adversities of a peasant community, the ecstasies of love, and domestic realities while arriving at her own precious happiness. In the words of Toussine, the wise, tender grandmother who raises her, “Behind one pain there is another. Sorrow is a wave without end. But the horse mustn’t ride you, you must ride it.” A masterpiece of Caribbean literature, The Bridge of Beyond relates the triumph of a generous and hopeful spirit, while offering a gorgeously lush, imaginative depiction of the flora, landscape, and customs of Gua\u00addeloupe. Simone Schwarz-Bart’s incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.
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